Francisco Baquerizo
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© francisco baquerizo racines 2026

Francisco Baquerizo
  • Trabajos seleccionados
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Ensayo #1 (Tiempos de Guerra) at @le_guess_who 202 Ensayo #1 (Tiempos de Guerra) at @le_guess_who 2026 Friday, Nov 6—13:15 Slachtstraat Filmtheater, Utrecht (@slachtstraatfilmtheater ) Free admission. With thanks to @mondriaanfonds and Fentener van Vlissingen Fonds for their support. — Ensayo #1 (Tiempos de Guerra) en el Le Guess Who? 2026 Viernes 6 de noviembre—13:15 Slachtstraat Filmtheater, Utrecht Entrada gratuita. Con el apoyo del Mondriaan Fonds y Fentener van Vlissingen Fonds.
Thrilled to share a first presentation of Tiempos Thrilled to share a first presentation of Tiempos de Guerra, a new project I’m currently working on that began with an invitation from Le Guess Who? (@le_guess_who ). This special 28-minute single-channel cut, titled Ensayo #1 / Rehearsal #1, will be presented in Utrecht this November. The work brings together two public school marching bands from Zámbiza and Guayllabamba, two outlying parishes of Quito, Ecuador, through rehearsal, confinement, rhythm and repetition. Friday, November 6, 13:15–13:44 Zaal 2, Slachtstraat Filmtheater Utrecht (@slachtstraatfilmtheater ) Many thanks to Fentener van Vlissingen Fonds and Mondriaan Fonds (@mondriaanfonds ) for supporting the development of the project, and to the Secretaría de Educación, Recreación y Deporte del Municipio del Distrito Metropolitano de Quito for facilitating the necessary permissions for the production. Deep gratitude as well to the crew who made the production in Quito possible: Indira Reinoso Sánchez (@matitadeaji ) on production, Felipe Cordero (@felipe_cordero3 ) on Camera A, Juan Albornoz (@juancalbornoz_ ) and Yoshi De La Torre (@yoshitomografia ) on sound, and Andreas de Vuyst (@andreas.de.vuyst ) assisting the production, with special thanks to Pablo Gordillo (@pablogfoto ) for his technical support. And, most importantly, my thanks to the directors, students and members of the bandas de paz of Unidad Educativa Municipal “Humberto Mata Martínez” and Unidad Educativa Municipal “San Francisco de Quito” for their generosity, trust and openness throughout the process. Looking forward to sharing this cut in Utrecht this November. More info: https://leguesswho.com/lineup/ensayo-1-tiempos-de-guerra?referrer=lineup Muy contento de compartir una primera presentación de Tiempos de Guerra, un nuevo proyecto en el que estoy trabajando y que comenzó a partir de una invitación de Le Guess Who? Este corte especial monocanal de 28 minutos, titulado Ensayo #1 / Rehearsal #1, será presentado en Utrecht este noviembre. El trabajo reúne a dos bandas escolares de instituciones públicas de Zámbiza y Guayllabamba, dos parroquias periféricas de Quito, Ecuador, a través del ensayo, el confinamiento, el ritmo y l
Mañana Tiroteo (sobre tiempos de guerra) 2026 Int Mañana Tiroteo (sobre tiempos de guerra) 2026 Intervened vector drawing with collected writings and drawings from the boys’ toilets of two municipal high schools in Quito _ Dibujo vectorial intervenido con escritos y dibujos recopilados en los baños de hombres de dos colegios municipales de Quito
La Quema arrives in Berlin! 🏴‍☠️ I’m pleased to La Quema arrives in Berlin! 🏴‍☠️ I’m pleased to share that La Quema (del Planeta “B”) will be presented in Berlin for the first time as part of the Rencontres Internationales Paris/Berlin @ripbm 2026 programme at silent green Kulturquartier @silent.green on 7 June 2026 at 2PM, 3:30PM, 5PM, and 6:30PM. The work was previously presented at RIPB in Paris in November 2025, and now continues into its Berlin presentation as a screening installation with limited seating and headphone listening sessions. In addition, La Quema will also be part of the first edition of the Tempelhof Art Film Festival @berlinartfilms on 4 June 2026, presented through a mobile “Moving Image Sculpture” moving across public spaces in Berlin: 11:00 — Alboinplatz 13:50 — Bosepark 16:40 — Franckepark Work made with the support of the Mondriaan Fonds @mondriaanfonds _ Les comparto que La Quema (del Planeta “B”) se presenta por primera vez en Berlín como parte del programa 2026 de Rencontres Internationales Paris/Berlin en silent green Kulturquartier el 7 de junio de 2026 a las 14:00, 15:30, 17:00 y 18:30. La obra fue presentada previamente en RIPB en París en noviembre de 2025, y ahora continúa su presentación en Berlín como instalación audiovisual con aforo limitado. Además, La Quema también formará parte de la primera edición del Tempelhof Art Film Festival el 4 de junio de 2026, presentada a través de una instalación itinerante que recorrerá espacios públicos de Berlín: 11:00 — Alboinplatz 13:50 — Bosepark 16:40 — Franckepark
Apuntes sobre identidad y su “simbólica” soberanía Apuntes sobre identidad y su “simbólica” soberanía.
Pesares, n. pl., Sorrows or regrets. Derived from Pesares, n. pl., Sorrows or regrets. Derived from pesar, also meaning to weigh.
La Quema goes to Stuttgart! 
Looping 2026 with a n La Quema goes to Stuttgart! 
Looping 2026 with a new start for La Quema (del Planeta “B”), selected for the Expanded Media Competition at the 39th Stuttgart Filmwinter – Festival for Expanded Media (@stuttgarterfilmwinter ) 
KUNSTBEZIRK – January 14, 17:00 A production still with @puntodevistaec on camera and @bastienaudio on sound, plus two raw clips that were not included in the final cut. 
This work was made with the support of @mondriaanfonds — 
El año ‘se va a volver’ en 2026 con La Quema (del Planeta “B”), seleccionada para la Competencia de Medios Expandidos del 39º Stuttgart Filmwinter – Festival de Medios Expandidos. 
KUNSTBEZIRK – 14 de enero, 17:00 Una imagen fija del rodaje en diciembre 2023 con el Darius en cámara y Bastien en sonido, junto a dos clips en crudo que no se usaron en el corte final. 
Este trabajo fue realizado con el apoyo del Mondriaan Fonds.
La Quema goes to Paris! I’m pleased to share that La Quema goes to Paris! I’m pleased to share that La Quema (del Planeta “B”) will be screened at the upcoming Rencontres Internationales Paris/Berlin @ripbm , taking place at the Cité Internationale des Arts @citedesartsparis on 30 November 2025 at 12:00. Thanks to the crew in the south of Guayaquil, the Asociación de Artesanos Seis de Marzo, and the neighbors of Barrio Pradera 3 for their generosity and participation during the burning ceremony. Thanks as well to the @mondriaanfonds for their support. _ Con mucha emoción les comparto que La Quema (del Planeta “B”) se proyectará bajo el contexto del Moving Image Art Prize 2025 en la próxima edición de las Rencontres Internationales Paris/Berlin, que tendrá lugar en la Cité Internationale des Arts el 30 de noviembre de 2025 a las 12:00. Gracias al equipo en el sur de Guayaquil, a la Asociación de Artesanos Seis de Marzo, y a las y los vecinos del Barrio Pradera 3 por su generosidad y participación durante la ceremonia de quema. Gracias también al Mondriaan Fonds por su apoyo.
Primer grito! de la independencia #2025 Primer grito! de la independencia #2025
La Quema (del Planeta “B”) Ecuador / Netherlands, La Quema (del Planeta “B”) Ecuador / Netherlands, 2025 2-channel video installation 08:40 min / 13:42 min, looped Throwback to the installation view at @katoenhuis during the 54th International Film Festival Rotterdam @iffr as part of the Art Directions: Installations programme. January 2025. Curated by @evant_garde Supported by @mondriaanfonds Picture 1 by: @jandegroen Picture 4: Banca Bananita (Triple BBB) in collaboration with @tankaraco Picture 6: Commissioned painting by vernacular graphic designer Iván Zuco, 2024. For more, link in bio.
Nobita Banana® #2025 Nobita Banana® #2025
La Quema returns to the port! 28–30 March (11:00- La Quema returns to the port! 28–30 March (11:00-19:00) A single-channel version of La Quema (del Planeta “B”) will be shown at @mondriaanfonds Prospects 2025 during @art_rotterdam Curated by @elvisgustavsson and @louisebjeldbak This work was realized with the support of #mondriaanfonds #Prospects2025 #ArtRotterdam
HOY/OTRA VEZ (La Quema en el barrio Pradera 3, Gua HOY/OTRA VEZ (La Quema en el barrio Pradera 3, Guayaquil, 2023.) End of IFFR 2025/Onset of Election Day in Ecuador 2025 THANKS TO/GRACIAS A: IFFR, Eva Langerak, Chris de Krijger, Katoenhuis, Popkraft, Mondriaan Fonds. SPECIAL THANKS TO/CON ESPECIAL AGRADECIMIENTO A: Asoc. de Artesanos “Seis de marzo” Barrio Pradera 3 in Guayaquil Katayoon Barzegar Juan José Baquerizo Jorge Luis Baquerizo Adrián Balseca Andreas De Vuyst Felipe Troya Stefan Cammeraat Tayron Luna Juan Camilo Saman Gabriel Peña X Andrade Ana Morán Edison Andrés García Yépez María Gabriela Carpio Juan Carlos Castro Jose Rosales Christian Lesmes Cuerpo de Bomberos de Guayaquil
La Quema (del Planeta “B”) / The Burning (of Plane La Quema (del Planeta “B”) / The Burning (of Planet “B”) Official Selection @iffr 2025 Poster: @adrian_balseca Produced by: Francisco Baquerizo Racines Joshua Jurado @shigratoys ‘Año Viejo’ Production Artists: Joshua Jurado and Diego Cuesta (Taller ‘Estudio Infinito’) @infinitoestudiotaller @diegocuestavelasquez Artists Assistant: Ana Morán Production Assistant: Kevin García @kev_raul Direction Assistant: Gabriela Plaza @gabrielaplazal Camera: Darío Herrera Crespo @puntodevistaec Second Camera Operator: Rodrigo Molina @suorx Camera Assistant: Ángel Armijos @angel_armonge27 Sound: Roberto Bastidas @bastienaudio Sound Assistant: Wilson Párraga Castillo @wilson.eduardo_ Location Scout: Geoffrey Barreto Catering: Juan Camilo Saman @juancamilosaman Production Stills: Katayoon Barzegar @katayoon.barzegar Francisco Baquerizo Racines Editor: Francisco Baquerizo Racines Colorist: Darío Herrera Crespo @puntodevistaec Sound Mixer: Roberto Bastidas (Audio Bastien) VO Recording: Olivier Terpstra @olivierterpstra Motorbike Rider: Rodrigo Molina Participants in ‘Burning’ Segment: Pedro Guerrero Diego King Alfredo Castillo Paste-Ups in Guayaquil: Tony Balseca Documentation Paste-Ups: Melani Quiñones Shipbreaking Yard Owner: Tomás Merchan Shipbreaking Yard Caretaker: Pedro Guerrero Commissioned Painting ‘La Quema’: Iván Zuco Custom-bench in Collaboration with: Christian Lesmes @tankaraco With the Support of: Mondriaan Fund @mondriaanfonds
I’m thrilled to share a first preview of La Quema I’m thrilled to share a first preview of La Quema (del Planeta “B”)/The Burning (of Planet “B”)—a project I’ve been working on for the past two years—which will have its world premiere at the 54th edition of the International Film Festival Rotterdam @iffr as part of the Art Directions: Installations programme. The work will be displayed at @katoenhuis during the festival. La Quema reflects on the 1624 burning and sacking of Guayaquil by the Nassau Fleet through the lens of Ecuador’s current vernacular practices, namely año viejo—a popular custom wherein paper dolls are collectively burned during New Year’s celebrations. This mestizo ritual challenges linearity, proposing the Andean zig-zag perspective of renewal through repetition. The creation of these objects embodies Guayaquil’s vibrant popular culture and capitalist-driven desires while, paradoxically, creating a space for (political) protest. In a context where sustaining artistic practices is precarious, the practice of this cultural custom has given rise to informal economies. Artists Joshua Jurado and Diego Cuesta—both based in the south of Guayaquil—were invited to construct a galleon-shaped año viejo inspired by the Dutch East India Company (VOC) vessel Amsterdam. Paraded through the city before being incinerated, it marked 400 years since the original event, making this action a symbol of resilience within colonial fantasies like the elusive ‘Planet B.’ Shot during one of Guayaquil’s recent peaks in violence related to extractivist legacies, this project reflects on two perspectives, from two distinct moments, under one hegemonic system. La Quema (del Planeta “B”) stands as a firm question to that same system that has shaped our bodies, ethics, and thoughts in service of capital. Special thanks to everyone who contributed to this project, including @mondriaanfonds for the support. @shigratoys @diegocuestavelasquez @infinitoestudiotaller @puntodevistaec @bastienaudio @kev_raul @suorx @gabrielaplazal @angel_armonge27 @wilson.eduardo_ @adrian_balseca @katayoon.barzegar @juancamilosaman @tankaraco @a.moran.ps @olivierterpstra @mskdnothing
Untitled (Double BB) #PlanetaB Untitled (Double BB) #PlanetaB
Planeta B® (P.P.) #apuntesdequema #planetB Planeta B® (P.P.) #apuntesdequema #planetB
Triple Bananita (or ‘El Value Pack’) #BuenoBonitoY Triple Bananita (or ‘El Value Pack’) #BuenoBonitoYBarato #ThereIsNoPlanetB #4011
Mundo de las Copias (World of Copies) #PlanetaB Mundo de las Copias (World of Copies) #PlanetaB
Arenita. [“Labor rights made me this way, Sandy.” Arenita. [“Labor rights made me this way, Sandy.” This version attributes “SpongeBob’s” (or at this point, whoever’s) condition or behavior to labor rights.] #FromPlanetBWith …
3 ’Bs' en 'Pirate B.' #TripleB #ColeccionPirata 3 ’Bs' en 'Pirate B.' #TripleB #ColeccionPirata
Galón 'B' (jerrycan) #laquema Galón 'B' (jerrycan) #laquema
A whole bunch of “Paloma”. However, in this cont A whole bunch of “Paloma”. However, in this context, “paloma” is not used literally but as part of the idiom.
The Fleet & Co. (apuntes de quema) #nassauschevloo The Fleet & Co. (apuntes de quema) #nassauschevloot #apuntesdequema
SEGUIR/FOLLOW